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Opelousas Museum and Interpretive Center |
Living
history roams the
Opelousas Museum and Interpretive Center, walking among the
Clifton Chenier zydeco records, Civil War relics and around the barbershop
chair where Clyde Barrow of Bonnie and Clyde fame got his last haircut. There
are specters who refuse to leave the 1935 building, whose incarnations included
the Sibille’s Funeral Home, a church and the Opelousas Library.
Director
Delores Guillory had no idea of the building’s history when she first started
working at the
Opelousas Museum. Her first clue came when she was alone in the
building, sitting at her desk inside the office.
“The
front door opened and it closed,” Guillory said. “I looked over and nobody
came. I looked at the door and there was no one.”
Guillory
even went so far as to check the outside porch and sidewalk and both were
empty. When her supervisor returned, she recalled the story. To her surprise,
the supervisor laughed.
“That’s
when she told me about it once being a funeral home,” Guillory said.
Other
events followed, including hearing startling noises like something falling from
the wall. Once a loud noise emanated from the Civil War room and Guillory
smelled cigarettes after investigating.
Another
time she was sitting in the hallway when the back door opened and closed. At
first she chalked it up to the security guard who liked to tease her about the
ghosts, but when she called him up on the phone, he was the park.
“I
said okay, that was our ghost again.”
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The Civil War Room |
Others
have experienced sightings as well. One employee spotted something white and
whispy moving across her line of sight by the Civil War Room.
“All
of sudden something went across cold cold and she smelled perfume,” Guillory
explained. “We told her about the ghosts. The next day she quit.”
A
worker performing community service at the museum halted at the mannequin in
the Mardi Gras display, a man bedecked in a long mink and velvet robe. The
elaborate robe was created for Nolan Simmons, who reigned as King Orme XLVIII
in the 1994 Carnival season in Opelousas. Today, it adorns the mannequin inside
a glass case, with a mirror behind so visitors can view all sides.
“She
said I have to get out of here,” Guillory related of the woman’s experience at
the mannequin. “She said there’s a bad vibe in here.”
Some
people halt at the front door, feeling the paranormal vibe and refusing to set
foot inside, Guillory said.
Louisiana Spirits paranormal investigators spent an evening in the museum and heard
unusual sounds they couldn’t account for, but they did debunk the mystery of
the moving dolls in the display cases. The dolls were not laying flat within
the cases so footsteps in the hall caused the cabinets to shake and move, said
Jennifer Broussard of Louisiana Spirits. Investigator Charles Gardner managed
to get one doll to turn completely as he walked in the hallway, he said.